Os Sons de Batman vs Superman Com Scott Hecker

 The Sound of Batman vs Superman with Scott Hecker

In this exclusive SoundWorks Collection interview we talk with Supervising Sound Editor Scott Hecker about his work on Director Zack Snyder's Batman v Superman: Dawn of Justice.

Scott breaks down how the sound team created new sounds for the Batmobile, Batwing, Wonder Women, Aquaman, Flash, Doomsday, and Superman.

• Chuck Michael - Lead Sound Designer
• Phil Barrie - Sound Designer
• Margit Pfeiffer - Dialogue/ ADR Supervisor
• Roy Seeger - 1st Assistant Sound Editor 

Batmobile:

Main elements were transmission whine from inverted transmission on the production vehicle, prototype Shelby Series I for the engine, and many unique flavorful sweeteners along the way...whines, booms, whooshes and other hi-tech tweaks and bobbles!

Batwing:

Processed electric car (Tesla) was the base, a few jet sweeteners for power only on pass bys, and processed bull roarer sounds for unique character, and a few other processed synth sounds. GRM Tools Reson, Native Instrument's Absynth and Reaktor, and fun sounds from the Twisted Tools library were used.

Wonder Woman's power blast:

Starts off with a powerful and sexy metallic bracelet clang. The tonal and magical part of the force were a couple different gong sfx modulated by Waves Mondo Mod and Native Instrument's Absynth along with various booms, power blasts, whooshes.

Doomsday Vocals:

Were predominately processed human (Gary Hecker, Chuck Michael and even Zack!) and animal vocals (elephant, boar, tiger, bear, horse). Izotope Nectar, GRM Contrast, Lo ender, Plug and Mix's Psycho Ring, and Altiverb were used to process.

Batman's Vocals:

Scott worked with Margit Pfeiffer the Dialogue/ ADR Supervisor on the processing of Ben Affeck's normal voice (he did not "throw" his voice for his Batman performances). Mainly, Flux Ircam Trax V3 was used (varied settings depending on each line's performance), along with occasional touches of Antares Throat Evo, and Izotope Nectar 2.