Suas Músicas "Cover" Podem Não ir Para o Stream

Your Cover Songs May Not Be Streamed

First of all thanks to my friend Bobby Owsinski

More and more, digital streaming services are either hiding or removing cover songs, sound-alikes, re-recorded songs and live performances in an effort to simply their catalogs and make it easier for users to find the song they really want.

And they have a point. Searching for a popular song sometimes turns up more than 50 choices, making it difficult to find the original that you're looking for.

The problem is that there are many unintended policies that come with this editorial decision.

For instance, it's been reported by Billboard that one service's "blacklist" of recordings that include 400 artists that range from B.B. King, Frank Sinatra, John Coltrane and Pete Seeger.

Re-records, the practice of an artist or band re-recording one of their hits so they own the recording instead of the record label, are also frequently marginalized as well, although many fans aren't all that unhappy as most prefer the original versions.

So beware if you're recording a cover song in the hopes of gaining some extra streams. While the practice may still work on YouTube, chances are your cover won't see the light of day on the other streaming services from now on.

Os Preços dos Ingressos Para Um Classic Rock Megashow

Pricing Tickets for a Classic-Rock Megashow

Calculating ticket prices for a possible October megashow is a fraught, complex science

First of all thanks for Neil Shah at neil.shah@wsj.com for this article.

How much will fans pay to see the Rolling Stones, Bob Dylan, Paul McCartney and three other classic-rock giants at one festival? 

The three-night megashow, also featuring the Who, Pink Floyd’s Roger Waters and Neil Young, would be the first time the six acts have shared a bill. Goldenvoice, part of concert-promotion giant AEG Live, is planning the show for Oct. 7-9 at the Empire Polo Field in Indio, Calif. For more than 15 years, the venue has been home to the Coachella Valley Music and Arts Festival, which caters to a younger audience with acts such as Calvin Harris, Drake and M83. 

The October festival, informally known as “Coachella for baby boomers,” isn’t a done deal. Negotiations with some artists were continuing last week, according to someone familiar with the matter. But the Who is definitely involved and the other acts are expected to confirm soon.

Demand among aging, affluent fans is expected to be high. According to bookings.com, 90% of Indio’s hotel rooms are reserved between Oct. 6 and 9.

Pricing tickets for a special event is a fraught, complex science. Hit the sweet spot and promoters stand to make millions of dollars. But miscalculating how much Boomers will pay to see historic acts of the 1960s and 1970s could mean dismal results or even losses. Artists such as the Stones and Paul McCartney don’t come cheap—and there are half-a-dozen acts, putting Goldenvoice at risk if fans don’t come. Another wild card is whether older followers are up for hanging out for three days in the dusty Southern California desert.

The Stones are arguably Goldenvoice’s biggest get. The average ticket price for the 54-year-old group, which had the 10th highest-grossing tour world-wide last year with just 14 shows, is roughly $175, according to Pollstar, a concert-industry publication. Paul McCartney is in the same ballpark, at $155. Tickets for last year’s Grateful Dead “Fare Thee Well” shows were $145 on average. By contrast, tickets for AC/DC, which topped the Coachella lineup last year, were $78 on average. Steely Dan, another Coachella 2015 headliner, fetched $105.

There appears to be an estimated 50% premium for classic-rock acts over Coachella headliners. If the just-completed Coachella charged $400 for a three-day general admission pass, “Coachella for Boomers” could ask $600 and up. 

Larry Miller, who heads the music-business program at New York University’s Steinhardt School, says it could be higher. Mr. Miller estimates Goldenvoice will pay a hefty $15 million to $18 million for its six acts. Producing the show would add another $10 million. All told, the company could require roughly $32 million to $35 million in ticket sales (not including income from merchandise, food and parking) to make a nice profit.

A big factor, given that many fans will be older, is how many tickets promoters decide to sell. Coachella’s capacity is nearly 100,000, but that’s across six stages active for much of the day and night. October’s classic-rock event will have two acts a day, one after the other, according to the Los Angeles Times, which reported the story earlier.

The audience for the October concert likely includes the parents of many Coachella-goers. Those fans probably wouldn’t want to be part of a crowd of 100,000, with protracted waits to enter and exit. An outdoor show of 40,000 makes more sense, Mr. Miller says. To hit $32 million to $35 million in revenue with 40,000 tickets, a weekend ticket would cost around $950, he estimates, without considering factors such as VIP packages. Individual-day tickets could be $385. The tickets could attract higher amounts on reselling sites. 

A lot depends on “framing” the pitch, says Pascal Courty, an economist at the University of Victoria, in British Columbia, who studies concert ticketing. Close to $1,000 for a weekend event and nearly $400 for a single day are big figures, but organizers “could get away with it [if] they can frame the value proposition in a way that makes the comparison with regular concerts difficult,” Professor Courty says. One way to justify higher prices, he says, is to make the event about more than music. There could be fine wine and food as well as art installations. Coachella this year featured Ferris-wheel rides, foodie fare such as sweet-potato tacos, a vinyl-record store and an installation by Cuban artist Alexandre Arrechea.

Fans already shell out big bucks for “legacy” acts such as the Stones. AC/DC raked in $180 million in revenue last year, making them the third-highest-grossing act, after One Direction and Taylor Swift. Coachella has been hosting more classic-rock acts, including Mr. McCartney and AC/DC. Guns N’ Roses stepped in this year, perhaps a sign of a shortage of younger headliners. 

Some Boomers could be put off by lofty ticket prices and sky-high VIP packages. One solution would be an affordable option, such as a one-day pass that doesn’t cost much more than seeing a couple of these acts in concert, ticketing experts say. 

Slavko Franca, a Rolling Stones superfan in his 60s, plans to fly to Indio in October from his home in Slovenia. He is betting on prices of more than $100 for a day pass—but he’d probably pay more.

Estudo: Escutando Música Ajuda os Bebês Desenvolver a Linguagem

Study: Listening to Music Helps Babies Develop Language

Listening to music with your baby appears to improve the child's brain function, according to new research.

Writing in the Proceedings of the National Academy of Sciences, researchers from the University of Washington’s Institute for Learning & Brain Sciences (I-LABS) say that after a “series of play sessions with music,” 9-month-old babies were better at processing music and new speech sounds.

“Our study is the first in young babies to suggest that experiencing a rhythmic pattern in music can also improve the ability to detect and make predictions about rhythmic patterns in speech,” said lead author Christina Zhao, a post-doctoral researcher at I-LABS. “This means that early, engaging musical experiences can have a more global effect on cognitive skills,” she said.

The researchers said music and language are similar in that they have “strong rhythmic patterns.” The ability to distinguish sounds helps babies develop language.

“Infants experience a complex world in which sounds, lights and sensations vary constantly,” said co-author Patricia Kuhl, co-director of I-LABS. “The baby’s job is to recognize the patterns of activity and predict what’s going to happen next. Pattern perception is an important cognitive skill, and improving that ability early may have long-lasting effects on learning.”

For the study, the researchers had 39 babies participate in 12 15-minute “play sessions” with their parents. For 20 babies, the play sessions involved music, specifically “tapping out the beats in time with the music” with their parents. For 19 in the control group, there was no music and instead, they played with toy cars, and other objects.

“In both the music and control groups, we gave babies experiences that were social, required their active involvement and included body movements — these are all characteristics that we know help people learn,” Zhao said. “The key difference between the play groups was whether the babies were moving to learn a musical rhythm.”

About a week after the play sessions, the babies’ brains were monitored using magnetoencephalography to “see the precise location and timing of brain activity.”

During the brain scans, the babies listened to a “series of music and speech sounds, each played out in a rhythm that was occasionally disrupted.” During the disruptions, researchers were able to see brain activity showing the babies detected them.

Babies in the music group had “stronger brain responses” to the disruptions than babies in the control group. This, researchers say, “suggests that participation in the play sessions with music improved the infants’ ability to detect patterns in sounds.”

“Schools across our nation are decreasing music experiences for our children, saying they are too expensive,” Kuhl said. “This research reminds us that the effects of engaging in music go beyond music itself. Music experience has the potential to boost broader cognitive skills that enhance children’s abilities to detect, expect and react quickly to patterns in the world, which is highly relevant in today’s complex world.”

Here's a video about the study:

Os 10 Melhores Toca-Discos Por 100 Libras ou Menos

10 best record players for £100 or less

For many of us, a house isn’t a home without a record player. The ongoing resurgence of record labels re-pressing your favourite LPs and 45’s – vinyl sales are now at a 15-year high - as well as new releases, means there are tons of new record players on the market for affordable prices.

So whether it’s Simon & Garfunkel’s ‘Bridge Over Troubled Water’ or Arctic Monkeys’ AM you’re looking to spin on a new stereo, we’ve found good-value, quality sounding machines. From iTek’s USB-compatible turntable for under £40 up to Crosley’s stylish portable version, we reckon you’ll find one that fuel your record-obsessiona.

1. GPO Stylo, £38, amazon

This modern-looking, record-only stereo plays at three speeds and gives you choice of its built-in or separate speakers with an AUX output. Lightweight and featuring blue LED lights, its 1.5 watt internal-speakers sound nice - although best used with additional ones.

Buy now

2. Crosley Cruiser, £70, amazon

Want to show off your records? Then take this portable player in a retro-looking case to your mates’. Playing at three speeds, it’s Mac and PC compatible with a USB output so you’re able to make audio files of your music hoard. Models avaialble in a range of colours.

Buy now

3. Auna TT-92B Turntable Record Player, £99, amazon

This black mahogany record player is slightly bigger than the others – and louder too. With USB and AUX inputs, it can play your digital music through two front speakers or external speakers through the RCA outputs (lead bought separately). Includes a remote control. 

Buy now

4. iTek i60007 USB turntable, £50, ebay

For the vinyl-obsessed on a budget, this two speed (45 and 33 1/3 RPM), handmade wood cabinet player is a good no-frills option. It’s belt-driven like classic players with plastic speaker grills on its front side and a protective closing lid. It’s USB compatible, too.

Buy now

5. Steepletone Norwich, £75, eBay

You can ramp up the volume on this all-in-one player with stereo speakers. With its line-in/line-out sockets you’re able to play music from or through the machine and there’s a sub-woofer socket that’ll keep bass addicts happy.

Buy now

6. Encode 3 speed record player, £78, UK-Jukeboxes

Available in black or silver, the Encode 3 is a quieter than some but compact. Its USB connecting option means, like the Crosley, you can convert vinyl tracks into MP3s. It also has two RCA outputs so you can wire it up to other speakers (lead not included). Available in a package with sub-woofers if base floats your boat.

Buy now

7. PylePro Retro Belt Drive, £54, eBay

Get your vinyl and Six Music hit in one retro-looking package with this three-speed player with built-in radio. You’re able to play your MP3 and smart phone music through the 3.5mm AUX line-in, and connect to bigger external speakers with its stereo RCA outputs (lead not included).

Buy now

8. ION Duo Deck USB with tape player, £60, Maplin

Dig out those embarrassing teenage mix-tapes to listen on this portable machine that handles cassettes as well as vinyls. It’ll play records at 45 and 33 1/3 RPM and can run off AA batteries. It can also be linked to a PC or Mac and there’s a built-in speaker and headphones socket.

Buy now

9. Steepletone Chichester II/L, £100, amazon

Made of real wood, this boxy model by the respected makers is a crisp-sounding stereo with a protective lid. Though the speakers won’t blow the roof off, it features a 3.5mm line-in allowing you to play music through your iPod or phone. Also plays CDs, cassettes and AM/FM radio.

Buy now

10. ION Max LP Conversion Turntable with Stereo Speakers, £79, amazon

We like the wooden base on this three-speed model with a transparent protective lid. With only one dial – the volume – this is a sleek, straight-forward turntable with an MP3 converting option.

Buy now

Verdict:

The Crosley Cruiser is cool-looking portable record player which looks and sounds good anywhere you put it, while the ION Maxturntable sounds great while making recording vinyl to MP3s an easy process.

Apple Music Mais de 13 Milhões de Assinantes

Apple Music Up To 13 Million Subscribers

It looks like all the naysayers were wrong. Apple reported on its recent earnings call that its Apple Music streaming service was now up to 13 million paid subscribers and still growing.

Much of that growth has come recently in fact, as it was reported that 2 million subscribers signed up since February alone.

The present growth looks to be at around 1 million a month, which means that the tech giant should be battling Spotify for the top space in the streaming industry by the end of year.

Spotify claims to have 20 million current subscribers, but many are on a "student discount" tier at half the $9.99 monthly price.

One advantage that Apple Music has over Spotify is that it's available in 58 more countries than Spotify, including Russia, China and Japan. All in all, the service is available in a total of 113 countries, leaving Spotify to play catch-up.

One reason for AM's growth spurt has been albums from Drake, Coldplay, The 1975 and Gwen Stefani, where were releases to AM for a period before Spotify. Having an advert with Taylor Swift was also a big help.

Despite the recent hype around Tidal, it's Apple Music that seems to be making the most headway.

O Que as Pessoas Estão Escutando em Seus Smartfones?

What Do People Listen To On Their Smartphones?

First of all thanks to my friend Bobby Owsinski



Edison Research recently completed a study on smartphone usage and discovered that the listening habits of users isn't quite what we believed it to be. in fact, the results were pretty surprising.

• 54% listened to a radio channel
• 16% listened to music they own
• 15% listened to Pandora or other radio-like streaming services
• 7% listen to Sirius XM
• 5% to TV music channels
• 2% listen to podcasting

Heavy listeners (those defined by listening to 2 hours or more per day) have a slightly different consumption pattern.

• 43% listen to music they've downloaded and own
• 37% listen to streaming audio
• 9% listen to AM/FM radio
• 7% listen to podcasts

Finally, 87% of adults from 18 to 34 never let their smartphones leave their sides.

All that said, we're under the impression that the listening world belongs to exclusively to streaming, but that's far from the case, according to the study. While radio listening and downloads may be dropping, they're still a vital portion of our listening day.

EXCLUSIVO: Este é o Contrato Que os Compositores Estão Assinando Com Spotify

Exclusive: This Is the Contract Songwriters Are Signing With Spotify

Sign this, and you sign away some of your rights.

Early last month, Digital Music News broke the story of a broad-reaching agreement between Spotify and music publishers to resolve tens of millions in unpaid royalties.  That agreement, forged by major publishing organization NMPA, would involve a one-time, $5 million penalty payment by Spotify as well as the construction of an interface to properly match payments back to songwriters and publishers.

+Musicians Can Discover Fans and Fans Can Discover Great Music On This Free Social Network

Now, all of those details have been confirmed and codified into a blank contract between Spotify and individual publishers and songwriters.  That includes the $5 million fee, as well as details related to Spotify’s matching database and efforts to issue payments on unpaid, accumulated mechanical licenses.  “NMPA has been engaged in negotiations over the failure by several digital music services to license and pay songwriters and music publishers appropriately,” Israelite confirmed to DMN last month.   “I am hopeful that we can reach a just settlement that provides a framework for moving forward as business partners – as it should be.”

+If You Think Piracy Is Decreasing, You Haven’t Looked at the Data…

That agreement is now locked-and-loaded, with publishers offered a number of ways to move forward.  In an undated letter sent to member publishers and songwriters and shared with Digital Music News, the NMPA outlined the details of the ‘Spotify Pending and Unmatched Usage Agreement,’ including the $5 million, one-time fee.  “I am not excusing the decision by any interactive streaming company not to obtain the proper licenses prior to using your songs,” Israelite informed NMPA members.  “I also will not criticize copyright owners who choose to protect their property rights in any manner they see fit — they are THEIR property rights.  However I believe this settlement (and more to come) strike the proper balance.”

“First, Spotify will pay $5,000,000 on top of all of the royalties owed as a bonus pool for participating publishers.”

+Protect Your Music From Pirates

The agreement also gives publishers and songwriters the ability to view all of their songs, and correct any data issues to unleash payments (past and future).  But the last part will be the most controversial: the letter indicates that after a set period of time, all unclaimed royalties will be divided amongst NMPA participating publishers and songwriters, even if the royalties don’t belong to them.

“Third, any remaining royalties owed that have not been properly claimed will then be liquidated and shared with participating publishers based on each participating publisher’s Spotify market share.”

Check the link below for full sample of contract.

http://www.digitalmusicnews.com/2016/04/27/exclusive-spotify-establishing-direct-publisher-contracts-to-solve-mechanicals-issues/