Power Field Studio

Power Field Studio

quarta-feira, 10 de janeiro de 2018

Sundance 2018 Trará Joan Jett Até Usher

Sundance 2018 Preview: From Joan Jett to Usher, The Most Anticipated Music Films



The Sundance film festival has long showcased breakout actors and potential Academy Award contenders. But in 2018, major music artists will be driving much of the conversation at the annual film summit in Park City, Utah. “This, by far, was the year with the most options,” says Jarom Rowland, senior manager of the festival’s film music program.
The fest has already established its music-documentary bona fides with premieres of the Oscar-winning films Searching for Sugar Man in 2012 and 20 Feet From Stardom in 2013. The long-awaited MATANGI/MAYA/M.I.A. will be unveiled on Jan. 21 after years of delays; it captures the life and provocative art of M.I.A. by using an archive of the Sri Lankan performer’s own footage. Punk trailblazer Joan Jett is the subject of Bad Reputation, named after her defiant rock’n’roll anthem: Directed by music video veteran Kevin Kerlsake, the doc charts the Rock and Roll Hall of Famer’s rise from 1970s band The Runaways to mainstream solo stardom.
Established actors, meanwhile, are turning their attention to music stories. Ethan Hawke co-wrote and directed Blaze, the saga of country great and Texas outlaw Blaze Foley, with Arkansas rocker Benjamin Dickey in the lead role; Hearts Beat Loud finds actor-comedian Nick Offerman portraying the owner of a failing record store in Brooklyn’s Red Hook neighborhood who rekindles his musical ambition after an impromptu jam session with his college-bound daughter. Finally, R&B superstar Usher appears in Burden, about a breakaway Ku Klux Klan member who takes refuge in a black church community. With such a promising selection, Rowland admits that some quality projects simply couldn't be squeezed in: “Turning down [those other] films was heartbreaking.”

2018 BAFTA Indicados Para Melhor Trilha Sonora

2018 BAFTA Nominations Announced

The British Academy of Film and Television has announced the nominations for the 2018 Orange British Academy Film Awards. The winners will be announced at the Orange British Academy Film Awards ceremony at the Royal Opera House in London on Sunday, February 18. For a full list of nominations.
Here are the nominations in the ‘Original Music’ category:
Blade Runner 2049 – Benjamin Wallfisch & Hans Zimmer
Darkest Hour – Dario Marianelli
Dunkirk – Hans Zimmer
Phantom Thread – Jonny Greenwood
The Shape of Water – Alexandre Desplat

Não Jogue Fora Os Seus CD's Antes De Conhecer Este CD Player Da ROTEL

Don't Ditch Your CD Collection Until You've Given This Player From Rotel A Fair Hearing


The death of the humble CD has been greatly exaggerated in recent years. Soon the silver disc will celebrate its 40thanniversary and despite a gentle decline in sales, mostly thanks to streaming services and a revitalised vinyl market, the world’s first digital format is still selling well and consumers seem to like its permanence as well as the sound quality, which still knocks spots off MP3 files. It seems people still want to sit down and listen to a complete album, whether that be rock, opera or classical. Not everyone has succumbed to the lure of the random shuffle.
That said, the choice of CD separates isn't as extensive as it used to be but there is still a fair amount of choice from budget decks all the way up to the eye-wateringly expensive esoteric players to make this a competitive market. Basically, a CD player consists of two main components: a CD transport mechanism that spins the disc and uses a laser to read off the digital information encoded on it; and a Digital-to-Analog Convertor (DAC) which shapes that raw data into an analog waveform that can then be amplified and fed to a pair of speakers. The more expensive players use expensive and sophisticated DAC circuitry and are often powered by separate transformers in order to recreate a sound that’s pleasing to our ears. One of the reasons given for the resurgence in popularity of vinyl is that LPs give a warm analog sound that’s often missing from CD players that have to create a decent analog sound from the brutal rawness of ones and zeros.
Well if that is your experience of CD and you despair of ever listening to a CD player that can find the natural warmth that recorded music ought to capture, I think I may have found a solution. The Rotel RCD-1572 is a mid-price CD deck that, although quite a bit more expensive than the excellent Marantz CD6006 beloved by many hi-fi enthusiasts, has a great character that will breathe new life into your CD collection.

Rotel
The front of the RCD-1752 is a fairly plain design that belies the capability of this CD player.
The RCD-1572 is beautifully built and styled with rounded edges to match Rotel’s 15 series audio system that includes pre and power amplifiers. It’s a full width unit so will match your existing hi-fi and it’s available in both silver and black finishes. The player’s front is fairly plain with discreet rounded buttons and a blue scrolling LED display. The large power button is surrounded with a bright blue illuminated ring that you can turn down, thankfully. The same goes for the illuminated text display. I often enjoy listening to music in the dark and bright LED lights can be very distracting.
Rotel is a brand that’s been in existence for around 55 years and the company built its reputation on some excellent budget audio separates that became very popular in the 1980s along with the likes of NAD. Anyone starting out to build a decent hi-fi system was urged by audio magazines to consider Rotel separates at the heart of a decent budget system. Now Rotel is refashioning itself with the higher-end Rotel 15 series. The designers have concentrated on using premium components and the circuitry almost exclusively uses ‘through-the-hole’ componentry rather than the smaller surface-mounted components that many manufacturers use. This gives the designers far more options when choosing high-quality components like capacitors. The designers have also focused on oversized toroidal transformers to shield out interference and deliver clean and noise-free power to the circuitry.
At the heart of the RCD-1752 is a Wolfson WM8740 DAC offering 24-bit 192kHz support. However, the Rotel engineers have chosen to bypass the Wolfson’s internal low-pass filter in favour of a custom-designed filter of their own. The thinking behind this is to use the precision of the Wolfson DAC to get the maximum clarity from the data and then to use Rotel’s own filter to fashion the sound signature of the 1572 to match the Rotel sound delivered by the power and pre-amp units. Another reason for choosing the Wolfson DAC is the ability to offer both unbalanced RCA phono outputs as well as balanced XLR outputs. It’s all about choice and making a system that will adapt and offer more choices and pairing possibilities over its lifetime.
So how does this heavyweight beast sound once it’s hooked up? I didn’t get the opportunity to audition it with the other components of the Rotel system so I listened to it through my Linn Wakonda setup with its matching LK140 power amp and my trusty Mordaunt-Short M50s speakers. From the moment I pressed play the sound was strikingly warm and mellow. If you’ve ever shunned CD because of that harsh clinical sound of digital formats, the Rotel RCD-1572 will convince you that digital sources can be every bit as warm, inviting and yet clear as the very best analog sources you can find.
Using my current favourite test CD of Diana Krall’s ‘Turn Up The Quiet’, I could hear so much detail coming from the stand-up bass. Every slap of the strings and every breath taken by Ms Krall were beautifully reproduced. The luxuriating warm delivery just suits cool jazz sounds so well. The soundstage is impeccably reproduced and you can visualise every instrument right where it should be.

Rotel
The components selected for the RCD-1752 are high grade and powered by Rotel's own design of toroidal transformer.
The RCD-1572 may lack a little bit of attack but what it gives up in harshness it delivers in melodic rhythm that makes listening to music a genuine pleasure. It may not work quite so well on large orchestral pieces or heavy metal music because the delivery is a little laid back, but that suits my taste in music just fine. I auditioned the player over the Christmas holidays and almost everyone who heard it played remarked on its clarity and musicality. It’s rare that non-enthusiasts remark on my audio system, so when I do get compliments I know there’s something special about the piece of kit I’m testing at that time.
Verdict: The Rotel CD-1572 may not be the most exciting CD player in the world but for my taste in music it’s one of the best. I don’t particularly think its styling will win a lot of fans and it is a little on the plain side but shut your eyes and listen to its mellifluous tones and you really can’t help falling in love with its mellow tones. On the downside this player can’t handle SACD and the remote control is a little utilitarian, but for the money I think this is one of the best mid-range CD players I’ve heard in quite a while.
Prices: £849 / $899 / €999
  • Total Harmonic Distortion (THD): 0.002% @ 1kHz
  • Frequency Response: 20Hz - 20kHz ±0.5dB
  • S/N Ratio (IHF "A" Weighted): >118dB
  • Dynamic Range: >99dB
  • Digital To Analog Converter: Wolfson WM8740 24-bit/192kHz
  • Channel Balance: ±0.5dB
  • Channel Separation: >115dB @ 10kHz
  • Dimensions: (W × H × D): 431 × 104 × 320mm / 17" × 4" × 12.6"
  • Front Panel Height: 2U / 88.1mm (3.5")
  • Power Consumption:15W
  • Standby Power Consumption: <0.5W
  • Weight: 6.7kg (15lbs.)
  • Output Levels:
  • Unbalanced (RCA): 2.2V
  • Balanced (XLR): 4.4V
  • Digital (Coax): 0.5V
  • Output Impedance:
  • Unbalanced (RCA): 100Ω
  • Balanced (XLR): 200Ω
  • Digital (Coax): 75Ω

segunda-feira, 8 de janeiro de 2018

Dicas Para Criar Novos Hábitos Para Compor Musicas Em 2018

Tips for Creating New Songwriting Habits in the New Year


Want to start the new year by injecting new life into your old songwriting regimen? Here we offer a brief collection of suggestions for addressing studio habits that can hinder the creative process, from trying new or “found” sounds/instrumentation, to working with loops and more.


Play something different. It can be difficult to find new songwriting avenues when your recording foundation always features the same ingredients—acoustic guitar, another acoustic guitar, obligatory bass and percussion on top. Hence the importance of working with “non-native” instruments from time to time—if you’re a folkie, for instance, experimenting with something radical like a synth or sequencer can help you break out of the six-string habit (or if you only work “in the box,” the opposite holds true). Even something as simple as using a bass as the focal point (as opposed to guitar or keyboard) can work wonders, since it puts the emphasis on the melody rather than the chord progression.
Learning to love loops. While it’s no secret that looped rhythms and riffs can result in some tasty song hooks (as a few decades worth of hip-hop hits have proven), luddite tunesmiths in particular often keep this methodology at arm’s length. Here again is where it pays to step out of your safety zone: using a garden-variety editing tool, you can quickly craft any number of instrumental or rhythm loops, be it a repeating synth lick, or even an extract from an actual drum track you already have on file (rappers Wu Tang Clan famously stockpiled sections of real drums recorded to tape as the basis for their own loop library). Hint: when using a rhythm loop as a click track for real drums, try keeping both parts in the final mix for an extra thick percussion sound.
Revisit your snippets. For every tune I’ve actually finished over the years, there were at least a dozen starter fragments that wound up being relegated to a folder on my desktop. While most probably deserved to be abandoned, with fresh ears sometimes a few of these song snippets suddenly sounded good enough to re-visit—not necessarily as the basis for a complete song, but rather for use as a potential bridge, pre-chorus or even intro for an existing track-in-progress. Again, your friend the editing tool can assist you in this effort, allowing you to adjust pitch, speed and duration of your snippets (even if it’s just to hear how it sounds in the designated spot).
Let’s get to the point. Working with unfamiliar instruments or sounds is important, but so is rethinking the way you assemble your material. As the late great Tom Petty once opined, “Don’t bore us—just get to the chorus.” To wit: rather than waiting a full minute for the lead vocal to come in, using your digital scissors you can move the track closer to the front of the song. Per TP’s advice, try doing the same thing with your chorus— particularly if you’ve got a really good one.

quinta-feira, 4 de janeiro de 2018

METALLICA Foi O Maior 'Top Rock Artist' De 2017

METALLICA Was 2017's Top Rock Artist, According to NIELSEN MUSIC


According to Nielsen Music's 2017 Year-End Music ReportMETALLICA's "Hardwired... To Self-Destruct" was America's second-best-selling rock album of the year. The disc's sales of 585,000 were eclipsed only by "Guardians Of The Galaxy Vol. 2: Awesome Mix Vol. 2 (Original Motion Picture Soundtrack)", which featured the likes of CHEAP TRICKFLEETWOOD MAC and ELECTRIC LIGHT ORCHESTRA"Hardwired... To Self-Destruct"also ranked third on Nielsen's Top Rock Albums chart for 2017, ninth on its Total Sales chart and third on its Top Physical Albums chart.
Overall, METALLICA was Nielsen's #1 rock artist of the year, with a combined total of 1,836,000 album sales, TEA (track-equivalent albums, a unit of measurement where 10 paid downloads equal one album) and SEA (on-demand audio streaming-equivalent albums, another unit of measurement where 1,500 streams equal one album).
"Hardwired... To Self-Destruct" — issued via the band's own Blackened Recordings imprint — has sold more than 1.1 million copies in America since its November 2016 release, according to SoundScan. Much of the gain in "Hardwired… To Self-Destruct" sales in early 2017 was owed to a concert ticket/album bundle sale redemption promotion with the band's stadium tour that went on sale last February. Redemptions of albums included with the purchase of a concert ticket registered as a sale in the week the customer redeemed/received the album.
"Hardwired… To Self-Destruct" debuted as expected at No. 1 on The Billboard 200 album chart in November 2016, selling 291,000 copies in its first week of release. Both of the band's previous outings, 2008's "Death Magnetic" and 2003's "St. Anger", sold more copies in shortened sales weeks. "Death Magnetic" moved 490,000 copies in a three-day window, while "St. Anger" shifted 418,000 copies in a similar frame.
"Hardwired... To Self-Destruct" consists of two discs, containing a dozen songs and nearly 80 minutes of music.
Nielsen Music collects and compiles the sales data used to tabulate Billboard's charts.

quarta-feira, 3 de janeiro de 2018

Gravador De Rolo : Edição Limitada Fará 'Debut' Na Feira De Munique

Limited edition portable reel-to-reel recorder to make Munich debut


Some audiophiles will tell you that the only way to enjoy music listening with master tape audio quality is to do so using a reel-to-reel tape machine. Audio engineer Kostas Metaxas agrees and has announced a new addition to his high-end hi-fi hardware company's product line in the shape of a "kinetic art object" that happens to record and play analog tape.
Metaxas says that the best source for reproduced music is analog tape recorded on 10-inch reels at 15 inches-per-second (IPS), and of that there is no doubt. He further states that the same reel-to-reel hardware is the best way to capture live music.
"This is a fact not open for discussion and is responsible for the incredible resurgence in interest in Open Reel Analog Tape Recorders," says the audio engineer and hi-fi component designer. "The High End Audio industry has embraced and acknowledged this over the past 10 years."
Metaxas himself has been using two modified Stellavox portable tape recorders to capture more than 300 concerts since the mid-1980s. Now his company, Metaxas & Sins, is looking to tap into the recent upsurge in analog reel-to-reel interest from audiophiles by creating an open reel tape machine called the GQT Portable Recording Device No 1, which acknowledges the hardware as a Georges Quellet Tribute – Quellet being the Swiss founder of Stellavox.
A GQT Portable Recording Device No 1 prototype will debut at the High End Show in...
The GQT is based on the Stellavox SM8 recorder, and has been "designed for ultimate location recording and playback duties." It's likened to a large Swiss mechanical watch mechanism, with no computer or logic control hardware in sight. Its circuits are made up of discrete transistors and components similar to those found in 1960s to early 70s devices.
The portable recorder can handle either 468 or 911 0.25-inch analog tape, its DC motor will operate at 15 IPS only and, as you might expect from a Metaxas creation, the GQT is a work of art as well as a functioning recorder and playback machine.
The prototype device will be on display at the High End Show in Munich, Germany, during May, before a very limited production run starts around August. No price has been revealed at this time.
Source: Metaxas & Sins

sexta-feira, 29 de dezembro de 2017

Aqui Estão Os 10 Vídeos De Música Mais Assistidos De 2017

These Are YouTube's Most-Watched Music Videos Of 2017

First of all thanks to Hugh McIntyre for this article.
When looking back every year at which music videos were the most beloved and which were watched the most, there are always some large numbers and impressive showings, but 2017 saw several hit singles make history and set the pace for a world that can’t get enough of YouTube.
It goes without question that “Despacito” rules the list of the most-watched music videos of the year, as it has become a powerhouse unlike anything the platform has ever seen. The original clip—which doesn’t star pop star Justin Bieber, despite the fact that he was instrumental in bringing the tune to the ears of millions around the world—is not only the most-watched treatment of the year, it’s become the most-watched of all time.
The Bieber-less “Despacito” (which was released before he was involved) has now collected just under 4.5 billion views since it was released in mid-January. Back in August, the Latin smash pulled ahead of Wiz Khalifa and Charlie Puth’s “See You Again” as the most-watched video ever on the site, and then just a few hours later, it became the first video the hit the three billion-play mark

Only about two months later, it became the first to reach four billion, and it’s now almost half a billion ahead of that milestone, and it’s barely slowing down when it comes to bringing that number higher and higher.
Six of the top 10 most popular videos on the world’s most popular streaming music platform (at least in some ways) are sung in Spanish, which shows that music lovers in Latin countries all around the world turn to YouTube to hear the music they love. The other slots on the list are filled by major pop hits released by the likes of Ed Sheeran, Bruno Mars and Jason Derulo, and even DJ Khaled’s especially crowded “I’m The One.”
Here are the 10 most-watched music videos on YouTube of 2017.
1. Luis Fonsi - “Despacito (ft. Daddy Yankee)”
2. Ed Sheeran - “Shape Of You”
3. J Balvin & Willy William - “Mi Gente”
4. Maluma - “Felices los 4
5. Bruno Mars - “That’s What I Like”
6. Chris Jeday - “Ahora Dice (ft. J. Balvin, Ozuna, Arcángel)”

7. Nicky Jam - “El Amante”
8. Jason Derulo - Swalla “(ft. Nicki Minaj & Ty Dolla $ign)
9. DJ Khaled - “I'm The One (ft. Justin Bieber, Quavo, Chance the Rapper, Lil Wayne)”
10. Enrique Iglesias - “Subeme La Radio (ft. Descemer Bueno, Zion & Lennox)”