JIMMY PAGE Diz Que Material Nunca Escutado Do LED ZEPPELIN Será Liberado No Aniversario De 50 Anos Da Banda

JIMMY PAGE Says Previously Unheard LED ZEPPELIN Product Will Arrive In Time For Band's 50th Anniversary

Jimmy Page says that previously unheard LED ZEPPELIN material will be released next year to coincide with the band's 50th anniversary.

In a new 50-minute video interview for the Academy Of Achievement, Page was asked about ZEPPELIN hitting the half-century mark, and he said: "There'll be LED ZEPPELIN product coming out, for sure, that people haven't heard, because I'm working on that. Next year will be the 50th year, so there's all manner of surprises coming out."

You can watch the video below.

All nine of LED ZEPPELIN's albums were reissued over a two-year period starting in 2014. The LPs were released in chronological order, each remastered by Page and featuring dozens of unheard studio and live recordings, with each album featuring a second disc of companion audio comprised entirely of unreleased music related to that album.

Since John Bonham, John Paul Jones, Jimmy Page and Robert Plant came together in 1968 as LED ZEPPELIN, the band has sold more than 300 million albums worldwide.

Engineer John Davis, who worked with Page on the remasters, revealed in a since-deleted October Facebook update that he was "mostly mastering LED ZEPPELIN" on the day that the post was made. It is not clear which project Davis was referring to or if it had anything to do with the aforementioned ZEPPELIN "product" Page had brought up in the Academy Of Achievement interview.

Universal Music Compra Stiff Records e ZTT Dois Ícones Da Indústria Inglesa

Universal Music Acquires Iconic British Labels Stiff Records and ZTT

Two of the most influential British record labels of the 1970s and 1980s, responsible for hits by Frankie Goes To Hollywood, Kirsty MacColl and Elvis Costello, among many others, are now under the ownership of Universal Music.

The acquisition of Stiff Records and ZTT from Trevor Horn’s SPZ Group was announced this morning (Dec. 19) with Universal Chairman and CEO Sir Lucian Grainge hailing the imprints as "truly unique and iconic labels that captured the zeitgeist of their generation" and influenced "contemporary music entirely on their own terms."

The deal with SPZ Group, founded by Jill Sinclair and record producer Trevor Horn, covers master rights to the entire ZTT catalogue, including records by Frankie Goes To Hollywood, Wreckless Eric, Art of Noise, Propaganda, 808 State, Kirsty MacColl, Shane MacGowan and Lisa Stansfield, as well as select titles from the Stiff catalog -- although notably not any titles by Stiff’s most famous signing, Elvis Costello.

Also included in the terms of the deal is Perfect Songs Publishing, which includes songs by Seal, De La Soul, Eminem, Michael Jackson, Alicia Keys, Busta Rhymes, Lisa Stansfield and Art of Noise (sampled by everyone from Charlie XCX to Lil Wayne to The Prodigy) among its catalog.

"With Perfect Songs, we are adding an award-winning publishing catalog, rich with hits, acclaim and global success," said Grainge in a statement. He went on to say that Universal is "committed to building upon the legacy of these revolutionary labels, in keeping with the spirit of their founders."

Started in 1976 by Jake Riviera and Dave Robinson, Stiff Records was at the forefront of the British punk and new wave movements, with Elvis Costello, Kirsty MacColl, Madness and Ian Dury among its early discoveries. The London-based label also released what is widely recognized as the first ever punk rock single, "New Rose" by The Damned and later landed one of the biggest Christmas hits of the 1980s with "Stop The Cavalry" by Jona Lewie.

ZTT was born out of the same independent singular vision as Stiff Records and was founded in 1983 by producer Trevor Horn, Jill Sinclair and music journalist Paul Morley. Within a year of its emergence, ZTT was dominating the British charts thanks to a string of hit singles from Frankie Goes to Hollywood, including "Relax" and "Two Tribes," and its all-conquering debut album Welcome To The Pleasuredome. 

In a statement announcing the label’s acquisition by Universal, Horn paid tribute to his late wife, Jill Sinclair, who died in 2014, eight years after suffering brain damage in a shooting accident.

"Jill started Perfect Songs and ZTT in the 80’s and I’m extremely proud of what she achieved," said Horn. "Lucian Grange and Jill were really good friends so I’m pleased that these catalogs are going to Universal."

Financial terms of the deal were not disclosed.

Disturbed Lidera O Top TV Charts De Novembro Graças Ao Seriado "The Blacklist"

Disturbed Leads THR's Top TV Songs Chart for November, Thanks to 'The Blacklist'

Plus, Crosby, Stills & Nash enter the top five; Joywave debuts. 

Disturbed’s “The Sound of Silence” leads THR’s Top RV Songs chart, powered by Tunefind and Shazam, for November, thanks to its appearance in NBC’s The Blacklist on Nov. 15.

Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind and ranked using a formula blending respective Shazam tags, as well as sales and streaming information tracked by Nielsen Music during the corresponding period.

“The Sound of Silence” leads all songs with 60,000 Shazam tags, 41,000 downloads sold and 12.6 million U.S. streams in November, according to Nielsen Music.

The song was also a massive hit on Billboard’s rock charts after its release in December 2015. It spent seven weeks at No. 1 on the Mainstream Rock Songs chart, two weeks atop the Rock Digital Song Sales chart and reached No. 3 on Hot Rock Songs. Further, the song reached No. 42 on the Hot 100.

Simon & Garfunkel’s original recording of the song spent two weeks atop the Billboard Hot 100 in 1966, and another cover of the song by Peaches & Herb hit No. 100 in 1971.

Elsewhere on the Top TV Songs chart, yet another song featured in The Blacklistmakes its debut. Crosby, Stills & Nash’s 1982 hit “Southern Cross” debuts at No. 3 after its appearance in the eighth episode of The Blacklist's fifth season. Thanks to the appearance in the show, the song logged 16,000 Shazam tags, 6,000 downloads sold and 1.2 million U.S. streams in the month.

“Southern Cross” reached No. 18 on the Hot 100 in 1982 and No. 39 on the Mainstream Rock chart.

The Blacklist last appeared on the Top TV Songs chart in February 2016, when two songs from the series entered the chart.

Indie rock group Joywave also debuts on the ranking at No. 10 with “It’s A Trip!” thanks to its appearance in Riverdale. The song was the second single from their new album Content, which the group released through Hollywood Records in July.

The song earned 11,000 Shazam tags, 2,000 downloads sold and 1 million U.S. streams in November.

Here’s the full Top TV Songs chart for November:

Rank, Title, Artist, TV Show (Network)

1. “The Sound of Silence,” Disturbed, The Blacklist (NBC)

2. “One,” Metallica, Marvel’s The Punisher (Netflix)

3. “Southern Cross,” Crosby, Stills & Nash, The Blacklist (NBC)

4. “Wish It Was True” The White Buffalo, Marvel’s The Punisher (Netflix)

5. “Tilted,” Christine and the Queens, Better Things (FX)

6. “Ends of the Earth,” Lord Huron, Longmire (Netflix/A&E)

7. “Roost,” Big Black Delta, Vice Principals (HBO)

8. “Sons and Daughters,” Allman Brown & Liz Lawrence, The Good Doctor (ABC)

9. “High Enough,” K.Flay, Riverdale (The CW)

10. “It’s a Trip!,” Joywave, Riverdale (The CW)

Music Reports Alcança 1 Milhão De Músicas Dentro Do seu Banco De Dados

Music Reports Hits 1 Million Songs Claimed Using Songdex Rights Database

Music Reports' rights database Songdex has hit a new milestone, helping music publishers claim more than 1 million songs since its claiming system was launched last year. 

The free Songdex Claiming System allows publishers to claim recordings that embody their songs, offering a valuable tool to clear up publishing information for the millions of tracks -- most of which come from independent artists -- that are digitally distributed online through such platforms as TuneCore and CD Baby. 

Songdex tracks more than song ownership, but also has the whole chain of rights from the composer to publishers to sub-publishers. It also includes related business information, such as contact information and the owner or administrator's preferred method of payment. 

"We knew when launching the Songdex Claiming System that publishers would gradually realize how valuable a tool it is, and with more than 1 million tracks claimed, it's safe to say people are catching on," said Bill Colitre, vice president and general counsel of Music Reports, Inc. in a statement. "And while we're excited that so many publishers have now experienced the unprecedented transparency and access the system provides, we're even more excited to see that publisher engagement with the system has been accelerating over the past three quarters."

Music Reports says it processes upwards of 250,000 new sound recording metadata rows each day. Much of that is duplicative, but the technology platform says the total number of new recordings is growing and nearing 1 million per month. Many of those songs are recordings of songs that have never been registered anywhere by their owners, are cover recordings or tracks with metadata anomalies that cause errors in their matching with the correct corresponding song data. 

Indústria Da Música E Tech Industries Dizem Que 'Net Neutrality ' É Negativo Para Inovação

Music & Tech Industries Say FCC's Net Neutrality Vote Will 'Negatively Affect Innovation'

"This is a fundamentally anti-democratic action that will have unintended consequences for the American economy for decades to come." 

Time will tell the implications the Federal Communication Commission's vote on Thursday (Dec. 14) to repeal Obama-era net neutrality regulation will have, but critics have been quick to cry foul at the Republican-led decision. 

The decision could profoundly effect the way the internet is run by rolling back restrictions that keep broadband providers across the country from blocking websites or collecting tolls for faster access. And those music and tech companies and organizations who agreed to comment to Billboard on the ruling all all spoke out against it and what it might mean for the future of the industry. 

"Net neutrality is crucial to keeping the web a vibrant and powerful place that fosters innovation," said SoundCloud CEO Kerry Trainor. "Eliminating these protections not only reduces consumer choice and accessibility of services, but inhibits the open, creative expression that has flourished on countless internet communities, including SoundCloud."

While FCC Chairman Ajit Pai and broadband providers such as Comcast, Verizon and AT&T have said the negative response to the regulatory dismantling has blown the issue out of proportion and promised they will not change user's internet experience, those companies still lobbied hard to overturn the rules. 

"Today's vote represents a departure from more than a decade of broad, bipartisan consensus on the rules governing the internet. Relying on ISPs to live up to their own 'promises' is not net neutrality and is bad for consumers," said Internet Association president and CEO Michael Beckerman in a statement. "Let's remember why we have these rules in the first place. There is little competition in the broadband service market -- more than half of all Americans have no choice in their provider -- so consumers will be forced to accept ISP interference in their online experience. This is in stark contrast to the websites and apps that make up Internet Association, where competition is a click away and switching costs are low."

Beckerman added that the The Internet Association -- which represents internet companies including Spotify, Google, Amazon, Facebook, Pandora and others -- is currently weighing its legal options in a lawsuit against today's order and hopes Congress will bring "strong, enforceable net neutrality protections into law."

Added a Google spokesperson: "We remain committed to the net neutrality policies that enjoy overwhelming public support, have been approved by the courts, and are working well for every part of the internet economy. We will work with other net neutrality supporters large and small to promote strong, enforceable protections."

Under the new rules, internet service providers will be free to discriminate against websites and apps, while favoring others, so long as they post their policies online or tell the FCC. This, according to American Association of Independent Music CEO Richard James Burgess, will benefit the larger corporations who can afford to buy into the new system and negatively effect those smaller ones who cannot. 

"This decision will disadvantage all the small and medium-sized enterprises, including the ones that make up our membership, and will negatively affect innovation," said Burgess in a statement. "This is a fundamentally anti-democratic action that will have unintended consequences for the American economy for decades to come."

Kevin Erickson, national organizing director for Future of Music Coalition, said his organization will also be supporting legal efforts to overturn the FCC's move and petitioning Congress to intervene. 

"The FCC has ignored the voices of countless musicians -- from arena rockers to classical concert hall stars, hip-hop trailblazers to DIY singer-songwriters -- and dozens of independent record labels large and small, all united in opposition to this move," he said. "This move will hurt musicians' ability to reach their audiences on their own terms, express themselves and their communities' concerns freely, and build sustainable careers—while enriching huge ISPs, allowing them to get in between artists and their fans."

"The idea that all information online aka data should be treated equally is one of the core principles in an open internet," said Discogs CEO Chad Dahlstrom. "Threats to that principle are threats to open dialogue, freedom of speech and the ability to choose what and how you get information online. We should not allow content to be throttled, blocked or removed based on a telecom or influential individuals decisions. That is an open door to censorship and big corporations once again choosing what we can see, hear and learn about. The internet must remain open."

‘Star Wars: The Last Jedi’ Detalhes Da Trilha Sonora

‘Star Wars: The Last Jedi’ Soundtrack Details

The full details of the soundtrack album for Star Wars: The Last Jedi have been announced. The album features the film’s original music composed by John Williams (Raiders of the Lost Ark, Jurassic Park, Jaws, Harry Potter and the Sorcerer’s Stone, E.T.). The soundtrack will be released digitally and physically on this Friday, December 15 by Walt Disney Records. Visit Amazon to pre-order the CD and click here to pre-order the digital version. Star Wars: The Last Jedi is written and directed by Rian Johnson and stars Mark Hamill, Carrie Fisher, Daisy Ridley, John Boyega, Oscar Isaac, Adam Driver, Lupita Nyong’o, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie and Andy Serkis. The eight episode in the Star Warsseries will be released in theaters nationwide on December 15 by Walt Disney Pictures. Visit the official movie website for updates.

Here’s the album track list (might contain spoilers!):

1. Main Title and Escape (7:25)
2. Ahch-To Island (4:22)
3. Revisiting Snoke (3:28)
4. The Supremacy (4:00)
5. Fun With Finn and Rose (2:33)
6. Old Friends (4:28)
7. The Rebellion Is Reborn (3:59)
8. Lesson One (2:09)
9. Canto Bight (2:37)
10. Who Are You? (3:04)
11. The Fathiers (2:42)
12. The Cave (2:59)
13. The Sacred Jedi Texts (3:32)
14. A New Alliance (3:13)
15. “Chrome Dome” (2:01)
16. The Battle of Crait (6:47)
17. The Spark (3:35)
18. The Last Jedi (3:03)
19. Peace and Purpose (3:06)
20. Finale (8:28

Escute Eric Clapton Somente A Guitarra E Voz Em “Layla”

Hear Eric Clapton’s guitar and voice track isolated on “Layla”

“Layla” is a song written by Eric Clapton and Jim Gordon, originally released by their blues rock band Derek and the Dominos, as the thirteenth track from their album Layla and Other Assorted Love Songs (November 1970). Its famously contrasting movements were composed separately by Clapton and Gordon.

The song was inspired by a love story that originated in 7th-century Arabia and later formed the basis of The Story of Layla and Majnun by the 12th-century Persian poet Nizami Ganjavi, a copy of which Ian Dallas had given to Clapton.

The book moved Clapton profoundly, because it was the tale of a young man who fell hopelessly in love with a beautiful, young girl and went crazy and so could not marry her. In his autobiography, Clapton states, “Ian Dallas told me the tale of Layla and Majnun [sic], a romantic Persian love story in which a young man, Majnun, falls passionately in love with the beautiful Layla, but is forbidden by her father to marry her and goes crazy with desire.”

The song was further inspired by Clapton’s then unrequited love for Pattie Boyd, the wife of his friend and fellow musician George Harrison of the Beatles. Clapton and Boyd would eventually marry.

Now, you have the chance to hear his amazing guitar and voice isolated tracks. You need to check this out.

Hear it below:

“Layla” was unsuccessful on its initial release. The song has since experienced great critical and popular acclaim, and is often hailed as being among the greatest rock songs of all time. Two versions have achieved chart success, the first in 1972 and the second (without the piano coda) 20 years later as an acoustic Unplugged performance by Clapton.

In 2004,  the song was ranked number 27 on Rolling Stone’s list of “The 500 Greatest Songs of All Time”, and the acoustic version won the 1993 Grammy Award for Best Rock Song.

In 1966, George Harrison married Pattie Boyd, a model he met during the filming of A Hard Day’s Night. During the late 1960s, Clapton and Harrison became close friends.

Clapton contributed uncredited guitar work on Harrison’s song “While My Guitar Gently Weeps” on the Beatles’ White Album, and Harrison co-wrote and played guitar pseudonymously (as L’Angelo Misterioso) on Cream’s “Badge” from Goodbye. However, between his tenures in Cream and Blind Faith, Clapton fell in love with Boyd.

The title, “Layla”, was inspired by the story of Layla and Majnun, which Clapton had been told by his friend Ian Dallas,[6] who was in the process of converting to Islam. Nizami’s tale, about a moon princess who was married off by her father to a man she didn’t love, resulting in Majnun’s madness, struck a deep chord with Clapton.