Power Field Studio

Power Field Studio

quarta-feira, 13 de setembro de 2017

As 100 Mulheres Empreendedoras Na Indústria Da Música E Seus Conselhos - Parte I

100 Female Music Entrepreneurs Share Their Best Advice: Part 1 



Women and the disparities we experience everyday in the workplace is a widely covered topic all over the internet. So, I have refreshed this 2-part series I put together few years ago.  It started when I posted on the Women In Music (WIM) List and emailed every badass woman I could think of in my world and and I asked them share their best advice. 100 Women heeded my call. I have recently been invited to the Advisory Board of WIM and I am humbled and excited to be a massive contribution to this organization as it helps support and educate women.  If you want to join WIM (which I think is the best investment you can make in yourself) do that by clicking here: http://womeninmusic.org/join .
I will be adding more women and parts to this list as we need to hear from more fantastic women, and now I am delighted to bring you:

100 FEMALE MUSIC ENTREPRENEURS SHARE THEIR BEST ADVICE (PART 1)

Artists, Coaches, and Lawyers

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ariel

Shine a light on others as much as you possibly can. Ask how can I help instead of how can others help me, and watch the magic that will unfold.

ARIEL HYATT

FOUNDER CYBER PR , AUTHOR AND SPEAKER

 

zoekeating

Remember that the world does not revolve around you. Be patient, be forgiving and be nice to everyone. Say thank you.Be prepared to hear “no” more than you hear “yes” and don’t lose sleep over it. When every door is closed you can always just make your own damn building.

ZOE KEATING

ARTIST

 

andree

Believe in yourself! – No really, believe in yourself! Being an entrepreneur is hard. You don’t get true “days off” or “vacations” because you carry what you do with you everywhere all the time. You must love what you are doing or you will not be able to keep the pace in order to succeed. Believing in yourself and what you are building is the key to making it all worthwhile because you can then enjoy the process as well as the results.

ANDREE KAMINSKY

FOUNDER, SINGER EXPRESS
heidi

I’ve been writing artist reviews, profiles and show previews since 1998. Before and during this time, I also worked in radio and marketing. I’ve interacted with hundreds – possibly thousands – of artists, publicists and music industry professionals over the years. All of that experience boils down to the simplest and most logical lessons you can gain when you put your artistry out there for the world to hear: Be open to constructive criticism. Be authentic if you want to connect. Be courteous. Be mindful of how you portray yourself. Be aware of your strongest supporters (and equally aware of others’ agendas). Be grateful for your fans. Be patient when the situation requires it. Be bold when it makes you most uncomfortable. And, above all, be YOURSELF at all times.

HEIDI DROCKLEMAN

EDITOR OF INDIE-MUSIC.COM
joyce

When building a business you have to think in the present moment and of the future. You need to pace yourself to create your big picture and long term vision. Simultaneously, you have to work with a sense of urgency and pound the pavement to swiftly close deals. Along the way, be kind to those on the same path; your competitors are also your peers. In this journey, it is not about being #1; it is about being persistent and fearless enough to stay the course, not quit, and accomplish your goals without compromise.

JOYCE DOLLINGER

ATTORNEY AT LAW
gail

Always remember why you got into the music business in the first place. It’s about expressing yourself and speaking from the heart and hopefully touching someone else’s heart. It’s the dance of the soul. When it stops being that, and thing aren’t happening for you, go back to that truth. No matter what ultimately happens, you will be happier if you stay true to yourself.

GAIL VEREILLES

PRESIDENT OF SANDSHIFTER MUSIC, INC.
julie

I encourage my consulting clients to change one phrase “I have to do this” to “I GET to do this”! Remembering that you are powerful and you have choice is the key to creative leadership. While others complain, you can be creating and accomplishing your dreams.

JULIE FLANDERS

ARTIST IN OCTOBER PROJECT & CREATIVE LEADERSHIP AND SUCCESS COACH
janyce

Think of the impossible. What if… Yes I know, obstacles and doubt will challenge you and people will believe that you are out of your mind but just smile. Create that new path for others to follow, surround yourself with the best people, never give up, and that passionate “what if” will suddenly become a reality.

JANYSE JAUD

PRESIDENT, THE MAGIC OF THINK
ilyana

My top advice would be, to use your Intuition and never underestimate it’s powerful assistance when Advocating for your self and your company. Also super important, is to reconnect everyday with why you created your company, your passion and connection to it, is KEY to keep it growing.

ILYANA KADUSHIN

PARTNER, LYTHION MUSIC, FOUNDER STORIES LOVE MUSIC, HOST NOW I KNOW PODCAST
CARI

You can only go as far as your team can go – no matter how brilliant you are. Build a team of people who are brighter + smarter than you, and are strong where you are weak. Use the Kolbe Index A before you hire and move on to new prospects when you aren’t getting results.

CARI COLE

CELEBRITY VOICE COACH & NEW MUSIC BUSINESS MENTOR
miho

Be yourself and have confidence in your own individual talents. The combination of simplicity, flexibility and understanding will keep you growing and through the exchange of perspectives with others you come in contact with, your own creativity will flourish and help realize your own goals.

MIHO NOMURA

PRESIDENT, MUSIKKVERDEN ENT
ariel

Let people show you who they are as opposed to you making them out to be who you are looking for. Pay close attention to how you feel when you meet someone for the first time, it’s a great indication of what you really feel about the person. As they say…First impressions are everything.

MICHELLE CITRIN

SINGER/SONGWRITER & PRODUCER/COMPOSER
JONA

Being an entrepreneur is like throwing spaghetti against the wall and seeing what sticks. You always need room for trial and error. However, keep yourself from “spinning” by having a plan and a system. This will give you the freedom to create.

JO-NA A. WILLIAMS

FOUNDER OF ARTIST EMPOWERMENT 
jeri

Create career and booking momentum by planning two years in advance. Get two fill-in-the-date wall calendars to keep in a constantly visible place. Enter future events, conferences, festivals, personal events that you know you either will be attending or would like to attend or to which you would like to get booked. Begin surrounding these dates with other bookings, like house concerts and other types of gigs. As you focus your bookings further into the future, you will avoid the last minute empty calendar syndrome and spark career momentum by visually seeing future dates on a filled calendar. This is great for moral, great for planning ahead for conference discounts and showcase applications and great for keeping band members and team members engaged and committed. Start planning two years in advance and your career will advance to your next logical level.

JERI GOLDSTEIN

PRESIDENT & FOUNDER: PERFORMINGBIZ, LLC

Music Festivals/Events/Venues/Sponsorships 

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marci

Some of the most difficult deals you will work on will become some of the proudest moments of your career.

MARCIE ALLEN

PRESIDENT, MAC PRESENTS
marcie

There is a simple truth about running your own business and this those who succeed do, they get out there and make things happen and keep making them happen. If you want to run an event then start one up. Go to a local venue and start a monthly club night, contact artists, do a bar deal and think of ways to promote your night. I know that sounds far simpler than it really is but in reality that is what it consists of. You will learn the skills you need as a promoter by doing it, of course you will make a few mistakes along the way and learn from them. I do not know any promoter of note who didn’t start this way. Learning skills in relation to finance, marketing and contract law will take you that step further and protect you and the people you represent. But ultimately it will be down to your personality, the relationships you cultivate, taking risks and a lot of luck. If after trying this you haven’t succeeded then don’t beat yourself up the reality is that very few do, but whatever the outcome the skills you have learned in trying will be useful to you whatever career direction you take in the future.

FIONA STEWART

MANAGING DIRECTOR, GREEN MAN FESTIVAL
ruth

If you ask in the right way and have an interesting proposition, people will always say yes.’ This is how I grew my organization and managed to work with everyone from the manager of The Rolling Stones, Jarvis Cocker, Billy Bragg and many more amazing people to come around the world to help develop the independent music infrastructure.

RUTH DANIEL

DIRECTOR, UN-CONVENTION
SHOSHANA

Create an overall curriculum for your goals. Break it out into daily tasks. Then schedule them and do them everyday, on schedule. Otherwise, you’ll be pushed around by a tsunami of data and people, spinning in busy circles. Schedule yourself first, and do little baby steps every day, and you’ll reach the finish line every time.

SHOSHANA ZISK

SF MUSICTECH SUMMIT, CO-PRODUCER
caroline

Getting your head around sales and how to make them is fundamental. It’s not about being pushy (it is a bit) or coercive (not at all), it’s all about helping people solve a problem they have, for which they pay you. So the problem you solve has to be worth paying for. My other advice is you have to be a fighter. Not in the sense of being aggressive, but in the sense of not giving in, not giving up, being determined, finding a way to be successful.

CAROLINE BOTTOMLEY

FOUNDER, RADAR MUSIC VIDEOS

Managers and Labels

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EMILYWHITE

As society has shifted from physical to digital across all mediums, I see nothing but opportunities for our musicians, comedians and even our firm’s athlete to connect with their audiences like never before. We don’t sit around and wait for magical things that may or may not come, we start executing on opportunities that make sense for our roster on Day 1. It’s a step by step process that intertwines hard work and almost ensures growth when executed on properly. I can’t wait for you all to see some of the larger picture projects we are working on that hopefully effects how we consume media on multiple platforms in ways that make sense for all.

EMILY WHITE

CO-FOUNDER OF WHITESMITH ENTERTAINMENT & READYMADE RECORDS
cathy

Conquer your own territory before you set out for bigger pastures. 
As a label and management company I get a lot of emails asking me to check out a band that is on the other side of the world and who are not yet even headlining or touring in their own country. You need to make waves in your own region before the expense and work it takes to break a band over here is even a possible consideration. Grow locally and expand first. Don’t get caught up in trying to keep up with other bands you might see touring outside of your territory – this isn’t a race or competition. Patience, hard work and truly being a great live band every time you play will end up in those airplane tickets becoming a reality.

CATHY PELLOW

OWNDER & MANAGER, SARGENT HOUSE RECORDS
YAYA

Instead of waiting around hoping for an opportunity to come, create your own. Stop depending on other people when you can do it yourself. Get out there and network, build and maintain your contacts, stay active on social media, be consistent and pay attention. There are opportunities where you least expect it.

YAYA REY

FOUNDER & CEO, YA INDIEGROUD HOUSE MANAGEMENT, LLC
caroline

Always look to be innovative and exciting with everything you do in your business and with your clients. Rules are made to be broken.

CATHERINE HARIDY

DIRECTOR, CATHERINE HARIDY MANAGEMENT
LISA

Provide your clients the personable engagement, care and top quality service that you expect for yourself. In an era of texting, IM, emails, etc., the personal connection is still the most valuable. You won’t build your business by doing one-off jobs. Treat your clients in such a way that they’ll continue to return year after year.

LISA BRIGANTINO

PRESIDENT, HIDDEN POND PRODUCTIONS, INC.
CINDY

Don’t be afraid to think outside the box. Start with an idea, and then work out how to put that idea into action.

CINDY DA SILVA

PRESIDENT – DA SILVA ARISTS, INC.
cookie

Lead your team and tell your story. Learn from mistakes and accept the consequences. Listen to everyone, especially your customers. They don’t care if you’re a man, woman or a goat, they just want a great product.

COOKIE MARENCO

FOUND & PRODUCER, BLUE COAST RECORDS
KERRY-H

As an artist manager and independent record label owner, I only work with artists who are prepared to work as hard as I do. This business is about team work so pick your team carefully and never be frightened to ‘tweak’ the line up when necessary.

KERRY HARVEY-PIPER

OWNER AT RED GRAPE MUSIC, LTD
KAREN

Passionate, patience, perseverance.

KAREN EMANUEL

OWNER, THINK TANK MEDIA

Artist Marketing & Pr

Break
VICKIE

Always put your committed fans first, and reward them for their commitment. Launching a new product? Give your core fans (or clients) first shot at buying it, or better still, give them an advance purchase discount (or other value add). Reward repeat costumers, and find ways to let them know how much you appreciate them. Consumer loyalty is a valuable asset, and be a core goal of your business model. It’s the safety net that can get you through lean times, and the engine that drives a key component of any marketing campaign (and which can’t be bought): word of mouth.

VICKIE STARR

OWNER OF GIRLIE ACTION MEDIA & MARKETING
COREY

Hire an experienced industry relations person as one of the first five team members. With or without technological advancements and revolutionary products, the business of art is rooted in relationships.
In addition to building appropriate industry relations, this person will be instrumental in finding & monitoring your best & most appropriate beta testers.

COREY DENIS

SENIOR SOCIAL MEDIA MANAGER, FANDOM POWERED BY WIKIA 
CATHERINE

Work hard, play hard, work even harder, keep smiling, stay focused, continue to learn new skills, don’t take anything personal, keep hustling, get the job done, a sense of humor is a must, and always make sure you enjoy your work!

CATHERINE CARTER

FOUNDER, RED LIPSTICK MAFIA VIDEO PRODUTIONS
ALICIA

Remember that as much as everything is constantly changing, it is so important to remember the fundamentals. Technology changes, but people don’t, and the underlying psychology of what motivates people to engage with you and your music, remains constant. Make great music that makes people feel something. Find your people. The rest comes after.

ALICIA YAFFE

CEO, THE SPELLBOUND GROUP
SARA

Think before speaking, and speak with conviction.

SARAH JAYNE CROW

DIRECTOR, STRAY POODLE MEDIA

MARNI

Never forget to listen…to your clients and customers, to your staff, to your colleagues…even to your own heart. And never stop asking questions – there’s always so much more to learn.

MARNI WANDNER

PRESIDENT, SNEAK ATTACK MEDIA
PEGGY

We can never know too much. We must continually expand, evolve and educate ourselves so that we can be at the top of our game to best serve our clients, projects, and companies. No slacking allowed. Ever.

PEGGY DOLD

FOUNDER & CEO, NAVIGATION PARTNERS LLC
RYNA

Your reputation and actions will say more about you than you ever can. Develop authentic working relationships with people and they will remember and respect you. Be confident without arrogance, be knowledgeable but open to learning, be steadfast in your goal but open to change. Ultimately, create a network of people who know who you are and like who they know.

RYNDA LAUREL

FOUNDER & CEO, @RYNDA
RACHEL

Figure out your company’s values. It is a pain in the butt to do but is a critical need as you scale since it provides a foundational north star for you and your team. Afterwards, you will all know what the company is about and how you will be reviewed. It also helps everyone on your team to interview potential hires and select teammates who fit your ethos.

RACHEL MASTERS

VP OF MARKETING, MIGHTY NETWORKS
JEN-LONG

I’ve been given a lot of great advice over the last few years, all of which I’ve kept close. You should follow your heart and find something that you love doing. Work as hard as possible to make that something your full time occupation. Don’t make excuses for yourself. Don’t blame other people for your failures. Try new things. Learn from your mistakes and listen to others. But still, the best piece of advice I have ever received is quite simply, ‘Don’t be a dick’.

JEN LONG

BBC TV PRESENTER
OWNER, KISSABILITY RECORDS

Music Licensing

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ISABEL

It’s important to find good mentors and people you can rely on for advice. While you should always trust your intuition, it’s vital to have a trusted network you can bounce ideas off of also. And don’t forget to pass it on. Be open to taking others under your wing.

ISABEL PAPPANI

OWNER, UNDERCOVER TRACKS
CAROLINE-AUBREY

Tackle every day like you already have a million dollars in the bank. Live and breath your success. Even when it hasn’t come yet.

CAROLINE AUBREY

FOUNDER & OWNER, SUINEG MUSIC GROUP
NICOLE

Build relationships and realize they are not built overnight – and be yourself. As cliché as “Rome wasn’t built in a day” sounds, neither are business relationships. Some of our key deals are developed from relationships that we’ve built over time without ever having even known that it would later become a “business” relationship. Network and Be yourself – people will take you seriously and have more respect for what you do once they realize that the result in it can only reach a common good.                                                                                                        

NICOLE SANZIO

PRESIDENT & FOUNDER, INDIGI MUSIC
KATY

My advice is to be very patient with the music industry. It moves very slowly. You also have to know exactly what you want, try to be very specific. You will get the right answers only if you ask the right questions. Relationships rule the entertainment industry, that’s also a no brainer but worth repeating. Its crucial to organize your contacts, and to connect on a personal level. People see through you like you are glass of water in this industry. It’s a world of smoke and mirrors, so if you are down to earth and straight to the point, people will really appreciate it, like a breath of fresh air.

KATY WALKER

OWNER, UNEMPLOYABLE MUSIC

Music Tech

Break
JUDITH

By definition entrepreneurs are often bringing new experiences or business models to existing industries and often run up against people and systems that are protecting the status quo – even when it may no longer be in the industry’s best interest. To effect real change, you need to figure out the right balance of risk and process – where to work within the system and where it needs disruption. You need to be adaptable, without losing your focus. And you need the right mix of urgency that comes from the passion for change and patience to convince others to buy into your vision.

JUDITH ESTRIN

CEO, EVNTLIFE, INC.
KATHERINE

You have to know and trust your vision. You will make many changes as you grow but you can’t waiver from your core values just to satisfy someone else’s opinions. Equally important is to enjoy the wins no matter how big or small. Entrepreneurship is a long hard journey – all wins are worth celebrating.

KATHERINE AJK

VICE PRESIDENT OF AFFILIATE RELATIONS, SHOWGO.TV
MARIA

Be adaptable, be prepared! Things aren’t always going to go your way and you need to be able to deal with these changes on a daily basis. To be able to persevere or pivot are key to building a business.

MARIA HAYDEN

CO-FOUNDER, COO HEADLINER.IO
ANNE

Don’t let anyone put you in a box. By definition, being an entrepreneur means charting new territory, originating cutting-edge products and executing in ways others will resist. Don’t let anyone put you in a box – not your co-workers, not your investors, and certainly not yourself.

ANNE E. GREENBERG

FOUNDER & CEO, SCENEPLAY
CO-FOUNDER, GRACENOTE
BRITTNEY

Fix a real problem and tell a story. It’s tempting, especially in media, to build things just because the idea is cool or because you want to look cool, but that’s probably not going to stand up as a way to make money. Find a real problem people have, fix it and then tell a good story. Most people aren’t going to care about what you’re doing unless they can relate to it and stories are the easiest and cheapest way to do that. And don’t forget to make people laugh!

BRITTNEY BEAN

CO-FOUNDER, MOTHER CLUCKER
SHERYL

Have genuine passion for what you do and believe in yourself.
If you have passion for what you do, you’ll look forward to each new day as a challenge and know that you can accomplish something amazing. Believe in yourself and trust in your instincts will help you make the right decisions when confronted with difficult challenges and unexpected situations.

SHERYL NORTHROP

NORTHSTAR CREATIVE COMMUNICATIONS
lenise

Be authentic, be honest. Always treat everyone like you want to be treated, you never know who you’re sitting next to on the bus. Be true to yourself, make sure you are doing what you want to do and for the right reasons. Love what you do. Passion trumps perfect. Your enthusiasm will be infectious and inspiring to those around you. Do your homework and be visible and approachable. These things apply to anything you do in life.

LENISE BENT

MIXER, ENGINEER, PRODUCER, SOUNDFLO PRODUCTIONS
JENNNEWMAN

Seek out mentors and give back by mentoring those younger or less experienced than you. Mentorship has been such a valuable part of my career. No matter where you are in life or your career, you can always learn from others. I’ve been very lucky to have some incredible mentors in my past and present, and I try to give back by regularly meeting with and mentoring young attorneys or people thinking of going into entertainment law or solo practice. You’ll be surprised at how much you can learn, both as mentor and mentee.

JENNIFER NEWMAN SHARPE

CEO, CO-FOUNDER SPARKPLUG, LAWYER
ASYA

Delegation and teamwork are key, focus on what you are great at. Oh, and keep the alcohol at a minimal intake – as a woman, sloppiness is at times even more noticeable.

ASYA SHEIN

FOUNDER & PUBLISHER, FUSICOLOGY

Fontes Para Compositores De Vídeo Games

Resources For Video Game Music Composers

First of all thanks to Winifred Phillips for this article.


I'm pleased to announce that my book, A Composer's Guide to Game Music, is now available its new paperback edition! I'm excited that my book has done well enough to merit a paperback release, and I'm looking forward to getting to know a lot of new readers! The paperback is much lighter and more portable than the hardcover. Here's a view of the front and back covers of the new paperback edition of my book (click the image for a bigger version if you'd like to read the back cover):
award-winning video game music composer Winifred Phillips' book, A Composer's Guide to Game Music, is now available in paperback.
From the article by Winifred Phillips (composer of video game music) - depiction of the book cover of A COMPOSER'S GUIDE TO GAME MUSIC.As you might expect, many aspiring game composers read my book, and I'm honored that my book is a part of their hunt for the best resources to help them succeed in this very competitive business. When I'm not working in my music studio, I like to keep up with all the great new developments in the game audio field, and I share a lot of what I learn in these articles. Keeping in mind how many of my readers are aspiring composers, I've made a point of devoting an article once a year to gathering the top online guidance currently available for newcomers to the game music profession. In previous years I've focused solely on recommendations gleaned from the writings of game audio pros, but this time I'd like to expand that focus to include other types of resources that could be helpful. Along the way, we'll be taking a look at some nuggets of wisdom that have appeared on these sites. So, let's get started!

Communities / Discussion Forums

From the article by video game composer Winifred Phillips, an illustration for the 'community discussion' resources list.When we're faced with stumbling blocks in our progress, many of us turn to online communities for guidance. From bulletin boards to social media groups, the internet has a lot of free advice to offer. This is especially true for new video game composers looking for business and career advice. For instance, in the open Facebook group "Video Game - Composers & Sound Designers," advice for newcomers is especially abundant. "It's all about meeting people, making friends, and finding out how you can enhance the creative vision for their project," offers Nick Borrego, while Alex Jones adds that her career tactics include "talking to people online through social media, forums etc, networking lots, attending all game or game audio related events I could and going to game jams."
We'll also find plenty of software/gear discussion in these communities, which often includes such topics as DAW recommendations and microphone discussions. We can even enjoy the benefit of the hands-on experiences shared by other game development pros, with more experienced audio folks describing their perspectives on such topics as the importance of the audio design document, and the difference between mixing for speakers or headphones. As we become more experienced and technically ambitious, we can find ample advice on working with audio middleware, including Wwise and FMOD. Below I've compiled a list of active online communities where we can go to ask these sorts of questions and enjoy the viewpoints of other game audio folks:

Software Tools

An illustration for the 'Software' resources list, from the article by video game music composer Winifred Phillips.According to the results of the most recent Game Audio Industry Survey, audio middleware software is increasingly popular with the big developers, with the Wwise software application leading the pack among triple-A development teams (while indie and casual teams most often employ no middleware at all). Audio middleware apps have been steadily growing more sophisticated and intuitive over the years. Having some experience with an audio middleware software package can be a useful skill for an up-and-coming video game music composer, so I've included a list of those applications below.
Perhaps one of the most interesting innovations came from Steinberg in 2015 when they introduced the Game Audio Connect function into their Nuendo Digital Audio Workstation, allowing for easier importing and exporting of audio files between Nuendo and Wwise. While Nuendo isn't middleware software, its ease of use in conjunction with Wwise may make it a more attractive option for video game composers when choosing a DAW.
I've also included a couple of applications that are designed to enhance game audio engines by increasing their functionality. Elias is music engine software focusing on the horizontal re-sequencing model of musical interactivity. Pure Data is a programming language used for Generative / Procedural music creation. Below you'll find the complete list of software tools:

Video Game Music Scholarship

From the article by game music composer Winifred Phillips, an illustration for the 'music scholarship' list of resources.While most aspiring video game composers will be more focused on creative endeavors and career advancement, I've lately become increasingly interested in the mind-expanding research that's been pouring out of game music academia in the past few years. Our work as game composers is, after all, quite different from music composition for any other form of entertainment. Games are experienced and enjoyed actively rather than passively, and this stimulates different parts of our brains and influences the way in which we perceive and process sensory stimuli. It's possible that, by virtue of a greater awareness of the unique nature of our work as game composers, we can acquire creative and intellectual tools that will enable us to compose more effective music for games. With this in mind, I'm including four organizations engaged in academic research in the field of music for games:

Concert Tours

An illustration for the 'concert tours' section of resources, from the article by award-winning video game composer Winifred Phillips.If we want to compose timeless symphonies, one of the essential steps in our educational process has always been to attend symphonic concerts and experience the music first-hand. Likewise, if we yearn to write awesome rock songs, it's natural for us to go to rock concerts, soak in the atmosphere and see how the rock stars make their music come alive. Unfortunately, for a long time this option wasn't possible for video game composers. Until fairly recently, game music wasn't available to be experienced in live performance. Now, however, aspiring game music composers can soak up both inspiration and edification by attending large-scale concerts enhanced with big-screen game visuals and razzle-dazzle lighting effects. Here is a list of the concert tours currently performing video game music live in venues all around the world:

Educational Resources
From the article by video game music composer Winifred Phillips, an illustration for the 'educational resources' list.To round out this collection of helpful online guidance for aspiring game composers, I'm including the following list of articles that are chock-full of good ideas for game audio folks.
Some of these articles are written by expert pros with decades of experience and famous projects under their belts. Some of the articles are written by newer audio folks with more recent success stories to share.  A few of these links point toward discussions on community forums that include interesting advice and ideas from varying perspectives in the game audio field.
I want to be a game composer
GameDev.net community discussion
Getting Started as a Video Game Composer
by  Bobby Prince, BPmusic.com
How to Get Music in Video Games
by Kris Giampa and Erik Pettersson, Beatport.com
Pursuing a Career in Game Audio
by Nathan Madsen, GameAudio101
How to Wrangle a Job Writing Music for Computer Games
by Lance Hayes, Andertons Music Co.

Conclusion

I hope this collection of resources is helpful! Please let me know if you've encountered any other resources that you think would be good additions to this list, and let me know what you think of the article in the comments section below!